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- <text id=93TT0893>
- <title>
- Jan. 11, 1993: Reviews:Short Takes
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1993
- Jan. 11, 1993 Megacities
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- REVIEWS, Page 53
- Short Takes
- </hdr>
- <body>
- <p>CINEMA
- </p>
- <p> An Energy Shortage
- </p>
- <p> At the center of Lorenzo's Oil lies A desperately sick
- child. But in director George Miller's tedious film, he is also,
- during much of the time, lost. For this true story of Augusto
- and Michaela Odone (Nick Nolte and Susan Sarandon) focuses on
- their frantic efforts to find a cure for their boy's rare
- disease (adrenoleukodystrophy). Their search leads them into
- shrill conflict with an overcautious medical establishment. It
- also draws them into that least cinematic of environments, the
- library. When they are not poring over volumes, they are
- earnestly discussing their various findings. Both modes distance
- the audience from them and their tragic offspring. Eventually
- the couple manage to find a palliative for the disease, but
- Miller never finds one for our boredom.
- </p>
- <p> CINEMA
- </p>
- <p> Raw Action
- </p>
- <p> A pair of white Arkansas firemen (Bill Paxton and William
- Sadler) accidentally come upon a treasure map. Its X marks a
- spot in a creepy, abandoned factory. As they root in the
- floorboards for gold, a gang of black drug dealers, whose
- leaders are played by rappers Ice-T and Ice Cube, turn up to use
- the place for a murder. Race, greed and venality on all sides
- soon lead to deadly conflict. There's something bracing about
- the utter amorality of TRESPASS. Director Walter Hill has
- something like a genius for staging and editing action in
- jolting bursts. The movie wants to make this place, these people
- into an urban metaphor. But because there's no one here you
- really care about, the film finally shows more technique than
- heart.
- </p>
- <p> MUSIC
- </p>
- <p> Sweet Balance
- </p>
- <p> Female-led light-rock ensembles became a staple of the
- late '80s with the success of records by 10,000 Maniacs and
- Edie Brickell & the New Bohemians. The newest album from THE
- SUNDAYS, Blind, shows an unexpected durability of that format
- as well as a band that succeeds by smartly playing from its
- strengths. Sundays lead singer Harriet Wheeler deserves much of
- the credit. Front and center is her floating, shimmering alto,
- unfurling like a silken ribbon and ringing like brass. Her
- lyrics are ordinary but agilely delivered. David Gavurin's
- well-balanced compositions and sweet, guitar-led arrangements
- provide Wheeler with an intricately detailed yet unobtrusive
- backdrop. Sometimes pop works best when it keeps its own limits
- in mind.
- </p>
- <p> TELEVISION
- </p>
- <p> Hothouse Gothic
- </p>
- <p> Sebastian Venable has died. But how? That is the question
- in SUDDENLY LAST SUMMER, Tennessee Williams' 1958 hothouse
- melodrama about prefrontal lobotomy, closet homosexuality and
- cannibalism. If the subject matter no longer shocks, the play
- itself can still thrill, given the right actors. In PBS's Great
- Performances presentation, it has them, mostly. Maggie Smith,
- as Sebastian's aloof, vindictive mother, and especially Natasha
- Richardson, as his possibly insane cousin, who was with him when
- he died, are superb adversaries, both of them informing
- Williams' lyrical dialogue with the rich emotional life it must
- have. Only Rob Lowe fails, more callow med student than the
- requisite mediating psychiatrist.
- </p>
- <p> THEATER
- </p>
- <p> New Hansel
- </p>
- <p> As budget-beleaguered schools cut back on culture
- curriculums, everyone in the arts worries about where the next
- generation of audiences will come from. Hardly anyone does as
- much about it as Theatreworks/USA, a touring troupe specializing
- in new musicals. During three decades, it has played to more
- than 20 million children in every state but Hawaii. Its new
- HANSEL & GRETEL blends Humperdinck's opera music (ably arranged)
- with a libretto that softens the grim story by making it a
- pageant staged by a Salzburg family. The highlight: David
- Gallo's sets, which are sturdy enough to travel, versatile
- enough to become a forest or a witch's lair, and ravishing.
- </p>
-
- </body>
- </article>
- </text>
-
-